Lord of the Rings Analysis
The scene begins with Frodo
entering the cave where a long shot is used to frame the huge cave and Frodo in
the middle; because of the framing of the cave, Frodo is made to look very
small which shows his weakness and makes the audience aware that he is very
vulnerable. The cave has been shown with low key lighting which makes us think
that Shelob could be hiding anywhere, this create tension as it makes the
audience concerned for Frodo’s safety. As an audience, we are drawn to the spot
of light in the centre of the shot, this light is blue and very gloomy giving
an impression that it is dangerous and asking us ‘what is beyond the light?’
The next shot shows a
silhouette if Frodo in a very low key light contrasting to the high key light
used as a back light of Frodo, this suggests to the audience that he is moving
from light into darkness and escaping the safety of outside the cave. The
framing in this shot shows that the further in the cave, the darker it gets,
this creates an illusion that the walls are closing in on Frodo and that he is
entering some sort of trap; it also shows that he is now enveloped by darkness and
that no good is going to come out of entering the cave.
A later shot uses the point
of view of Frodo and using tracking shots, panning the camera from left to
right, shows the audience the mise-en-scene used in this shot such as the
tomb-like walls and spider webs. These features added into the scene tell us
that Frodo knows something is there but he can’t see it making Frodo just as
clueless as the audience. The webs may have also been added into the scene
because arachnophobia is very common therefore this prop would frighten the
majority of the audience. A bright spot of light has also been added to the
scene, this could be a potential escape however the light inserted looks
unnatural. The light has been made to look unnatural so that the audience in
the position of Frodo are drawn to this specific spot in the shot, this makes
the audience think it is a trap and makes them fear for Frodo’s safety.
As Frodo moves further in the
cave, the set becomes almost completely dark however with a tiny spot of light
in which Frodo is standing telling us that Frodo is the good person in this
film making him more vulnerable. This spot of light also shows that Frodo is in
a very tight space and his chance of escaping is gradually decreasing as he
moves further on; as we are no longer in the point of view of Frodo but instead
watching him, the audience gain privileged information that he is in danger
which increases the tension and suspense as we know that Frodo is being hunted
however he doesn’t. The camera moves slightly as it films Frodo, this tells us
that we ware watching Frodo from the point of view of Shelob and shows that Frodo
is being stalked by him which also builds tension.
A low angle mid shot of Frodo
is then shown with a back light on Frodo, this back light lights up the
background of the scene which shows more spider webs keeping the audience
interested and making the tense atmosphere remain. Furthermore, framing is used
in the shot to see an extreme close up of part of an object in the corner
however we cannot make out what the object is as it is blurred out and the
camera is focusing more on Frodo and the background; it is not until the camera
begins to focus on the foreground that we realise the object in the corner of
the frame was actually a human skeleton. This makes it clear to us that humans
have been here before and foreshadows that something bad is going to happen to
Frodo, which builds tension and suspense.
The next shot is filmed with
a handheld camera; as Frodo moves forward he begins to fill the frame more and
more, this suggests that Frodo is becoming more trapped and the back light on
Frodo shows that he is moving away from safety; these two features both build
tension.
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