The sequence starts with a
tilted angle looking at the beach, something seems wrong or unnatural at this
angle prompting the viewer to question what may happen next. Close-ups of
shaking hands, faces and a man praying are all there to make the audience feel
uncomfortable, like the soldiers, building up to the massacre on the beach and
show nervousness and pure fright. The director’s use of a handheld shot helps
bring the audience into the film with its bobbing and shaking making you feel
as if in the boat and on the beach with these soldiers under heavy fire. Blood
appears on the lense as if in a P.O.V. of one of the soldiers. The director
builds tension towards the opening of the boat door by using a close up of the
handle as it turns wildly and opens, adding to the sense of foreboding in the
first titled angle of the sequence.
Using a close up shot to
show the German soldiers, covered in darkness, firing upon these soldiers from
a higher position makes these soldiers look threatening and scary from this high
angle and makes the American soldiers seem vulnerable and weak when compared. The
shots of American soldiers being gunned down repeatedly creates a shockingly
realistic portrayal of war. From Tom Hanks’ character’s perspective, the whole
beach becomes slow – a technique to emphasise his character’s terror and his
stillness makes him appear vulnerable and afraid of what is happening around
him. This creates a realistic and moody scene trying to show the harsh reality
of war.
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