La haine opening sequence
Mathieu Kassovitz use the
manipulation of cinematography shown from rioting footage from the 1985-1995
riots within Paris to show how the division of French society is present and
that it is split Into 3 different factions La Cite, Paris and La Police.
Mathieu has shown this through he opening credits as they are shown under the
different headings of cast members, this is used to show the audience that
there is a segregation, between social and ethical classes within French society
and to force the audience to view these factions clearly.
The footage used is
intelligently edited to show the police as a horrific force, committing acts of
brutality, such as beating rioters up with batons and crushing them with their
shields and masses of police attacking single rioters senseless, also showing
protesters having to be resuscitated and covered in blood due to the sheer
force the police have in comparison to the protesters, this is to manipulate
the audience into believing that the police are the antagonists and that the
protesters are protagonists as they are fighting for a good cause, and the
police are their to prevent them from their freedom of oppression and to
further exploit them as a weak minority. The use of real riot footage from this
time of social destruction within French society gives a realistic
interpretation for the audience to make their mind up on the issue played
before them.
The realist framework also
challenges the contemporary images of Paris that are typically shown within the
media and challenges the norms of France that are typically associated with the
county of romance and city of love, Paris.
The framework shows French
monuments such as the Arc De Triomphe having riots occur near them, countering
typical western views of France as it shows that these riots occur in its most
visually exquisite and famous cities, this opening shows a warzone of rioting
and brutality flooding the streets of Paris.
The police are positioned as
a destructive force of oppression and fear to all who oppose the state and
typical French society
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