SSC Film Studies

Psycho Analysis

The Parlour scene opens with a low angle shot of Norman, positioning him as the one in control. This is a mirrored shot signifying his two different lives. The lighting is dim lit creating a subdued and fearful atmosphere. Norman appears to be engulfed by darkness and everything surrounding him is associated to death, for example, stuffed birds.

Although the environment is very cramped, signifying Marion’s vulnerability, the next shot is the rule of the thirds. This positions Norman and Marion at separate sides of the screen suggesting that their relationship is new and unfamiliar. Furthermore, Marion is positioned closer to the camera than Norman creating a strong bond with her and the audience, as it makes you fear for her. Norman’s comparison of the birds and Marion and his exchange of looks implies he is considering whether he should kill her or not. However, at this stage Marion does not feel threatened and we gather this information from the lighting. Marion is positioned by a lamp, which lights her face up, exposing her from the dark cast of shadows.

The next several shots are slightly low angled shots of Norman, where he is displaying his awkwardness. The urge to kill is beginning to consume him and this is indicated by his posture and he keeps playing with his hands to distract the thought. More over, there is always a bird in any shot of Norman and he then touches the bird making a visual connection between them. The birds signify Norman’s emotions and mimic his actions. When Norman is at ease with the conversation and feels comfortable the wings of the birds are closed. However, this varies when Norman is feeling aggravated as the birds wings open revealing their predatory selves.