Screenplay

Will Roberts Presentation Script Establishing shot of a bank with white van parked outside, the camera then pans backwards to reveal a heard of police cars and officers. The sot then cuts to the door of the bank. Five men dressed in nun masks begin to run out of the bank un aware of the masses of police that surround the building. Almost instantly four men drop their weapons and fall to their knees, however the last robber continues to run towards the van. He somehow makes it to the van without being hit by the rapid bullets being fired at him and throws one of the stolen three sacks of money into the van with him. However one of the robbers who was at his knees, was hit in the process. The man in the van then escapes and the sounds of his van screeching can be matched along with the scream of the three men shouting helplessly as their friend dies beside them. We see an over the shoulder shot of FBI agent walking into a small and confined room. Small light flickers on celling above man ones head. The FBI agent is dressed with a white shirt, which is buttoned down by three buttons. The room is very hot and the agent is very sweaty and edgy. However man one seems very cool and unfazed. Man one is sat behind a small desk, whilst Agent Banks stands up on the other side of the room. Man one is dressed in old ragged clothing, with an old worn out black shirt. Agent Banks, with a slight look of intendment says, ‘So where’s the money, where’s your pal, huh?’ Man one continues to look straight past Banks, he smirks with a sense of arrogance. Banks says ‘C’mon now, where’s Schrader? We both he’s forgotten about you three pricks already’, except this tie Banks matches man ones look of arrogance. Man one looks up at Banks with again a continuation look of arrogance and says ‘I know exactly where he is and what he is doing, but you can kiss my fucking arse Banks’. Light continues to flicker, room is even hotter this time and Banks has completely unbutton his shirt, seemingly very agitated. Man two also has a look of agitation and slight hypo activeness, as if he is enjoying the interrogation room. Banks says ‘So where’s the money, where’s your pal huh?’, as he scratches his neck whilst talking. His tone is also more agitated and uncomfortable. Jackson looks up at Banks with a huge grin on his face and says ‘How the fuck should I know, probably somewhere in Mexico, chuckling to himself in a childish manner. Light continues to flicker, room is again hot and pretty dark. Banks is stood leaning against the wall is despair. He says in a more relaxed tone, ‘Right so where’s Schrader?’ Man three, who is sat very stern and upright, does not respond. Banks says, ‘Now this is how this going to go, you either tell me where he is, or lets just say things aren’t going to go pretty’. Man three continues to sit in silence looking at the floor beneath Banks. Banks then proceeds to slowly walk towards the opposite side of the table, taking a knife out from under his shirt. Banks says, ‘How bout you just slipped huh?’ Banks then stabs the knife directly into man threes hand, man three screams yet nothing can be heard from outside the soundproof interrogation room. The three robbers are sat in a large cell and the interrogation has finished. Lights flicker inside the cell – fairly dark again. The three men are sat round with stern looks upon their faces. There is a clock outside the cell on the wall. This is the only sound that can be heard, clicking away as it turns. Banks is the seen slowly approaching the cell, when a sudden bang arises and a white van crashes in through the back wall. Schrader jumps out of the van with a huge smirk on his face, he says, ‘Isn’t it nice to see you hear Banks’. Banks then scrambles to get his cell keys as he strides towards the cell. The van then reverses with all four men inside. Banks is left hopeless and confused while he stands alone in an empty and demolished cell. Jackson then says to Schrader, ‘You took your time didn’t you soft arse’. Schrader looks back at Jackson saying, ‘Onto the next one Jackson’. We then see an extreme long shot of the van turning left around the corner of a building. The camera then zooms into a sign saying ‘Bank to the left’. The shot cuts and the sequence ends.