How is ‘The North’
represented in Get Carter?
The north is
represented as a dark, grim and paranoid place with many of the citizens being
working class.
For example during
the train sequence and the transition from the south to the north we get a
sense of divide between the two visually. The south is depicted as bright,
sunny and prospering with green fields and an open countryside. This appears to
be the idyllic place for the typical Englishman. As we move down to north the
sky becomes darker, more industrial buildings start to appear as the
environment becomes more deprived.
Carter represents the general idea the south had on people from the
north; he sees himself as sophisticated and is a bit of a snob because he looks
down on the working class. While everyone else in the carriage is reading
tabloids he is reading a novel, this visually shows that he sees himself as
sophisticated. Carter also dines in the first class carriage, it shows that he
is used to the finer things in life. Carters journey from the bright and sunny
south to the dark, industrial south acts as a visual signifier of the
North/South divide.
Moving to the
scene of Carter going to the bar the first shot is a POV, this shows that
someone is watching Carter from a distance. Inside of the bar he is viewed with suspicion and is seen as an outsider, the
people there appear to be unfriendly and potentially hostile.
Carter stands while all the other drinkers are sitting down; he is framed above
them as it perceives himself as such. Carter represents a southern mentality
that people that lived there had at the time towards those from the North. The
people in the bar are old and appear to be worn out; they look like they have drunk
since they were young. There is a man who has six fingers, this is meant to
visually display that the people in the North are ‘mutants’ and are of lower
status. Carter asks for his drink in a tall glass, this shows a sign of
sophistication and being more civilised. The costume connotes wealth and taste
in contrast with the clothes that the other people in the bar are wearing.
Carter is shot via a low angle; we look up at him and shows he thinks he is
sophisticated and superior. The experiences Carter has had in the South has
developed an ego and this is displayed in how he walks, he walks in an arrogant
and ego centric way which makes him come off as over confident. Rather than
emphasising the warmth and good humour normally associated with the northern
life, the director Hodges represents Newcastle as a cold and sinister
landscape.
The marching band scene shows how moral values
have started to decline in this community, for example in the room Carter and
Edna are in there is a sign that says ‘what would Jesus say?’ and this is a
comment on sex outside of marriage. Most working class communities tend to be religious
and since the 60’s there has been a decline in moral values. The marching band
in the scene is meant to promote community and working class values; however it
is shown in front of a destroyed neighbourhood which shows a decline of the
working class community and values. The marching band scene is used by Hodges
to criticise the of the working class communities. Parades and marching bands
are typically associated with working culture and usually suggest old
traditions. The scene itself is clearly not meant to be seen this way as it is
a brash and hollow spectacle, it’s just there as a backdrop for the sex scene
and has no real value.
Get Carter as a whole depicts a working class
culture with no sense of community and is a very cold environment. Carter has
noisy neighbours who watch everything and instead of seeing a community we see
a small minded, suffocating culture of distrust.
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