It is often said, “films reflect the time in which they are
made.”
How true is his for the invasion of the body snatchers
(1956)?
The late 1940’s and early 1950’s were overshadowed by
feelings of intense sense of fear, paranoia and insecurity. This stemmed from
the events and attitudes, which appear, post World War 2. American status quo
was overwhelming in this era, the ‘normal’ American society included white,
republican, heterosexual couples to be married in a Christian church and have 2
children. People feared the change of the American status quo and viewed those
who could cause a change as ‘others’. These ‘others’ were people who did not
fit in; these were black people, communists, homosexuals and anyone who
generally didn’t fit into this ‘typical’ American society. An increased sense
of paranoia and fear of annihilation came from the Hiroshima and Nagasaki
nuclear attack, once people heard about these atomic bombs and destruction they
caused they feared it might happen to them. The media informing society that
other countries have these bombs heightened this; this made American people
more anxious and paranoid that Japan would retaliate.
Invasion of the body snatchers comes from this time and the
film represents society in the 1940s and 1950s. Much like the opening scene of
War of the Worlds, this movie opens with 1950s USA in a state of panic; this
was over fear others fear of annihilation and paranoia. This film instantly
builds a link with the real world. In the same way War of the Worlds opens with
an unfamiliar New York where society feels intense paranoia and fear. The main
character we are introduced to, Miles, is positioned as ‘other’ in the opening
scene. Miles is seen as a threat to American society and because of this his
sanity is being questioned. The threat type in this film is not a physical
threat like it is in War of the worlds but is in fact unknown. The threat type
is psychological; this demonstrates the threats present in 1950’s America, the
‘threats’ in this era were not visible as people viewed them as a physiological
condition if they were communist or homosexual because they were ideologies,
which could not be seen by anyone unless, that person wanted them to know. This
is similar to the society was in the early 1950’s, if a person was seen to be
‘other’ they could be arrested and questioned in a court of law.
The film is set in an American town ‘Santa Mira’, this
allegorical to represent all small towns in America. This shows that this
town’s society represents the overall idea of American society. Miles
establishes the status quo in the film; he’s evaluating all environments in
various scenes and saying how everything seems ‘normal’. Miles is established
as Santa Mira’s doctor, the director has chosen to use Miles as a doctor because
he is a relatable character; everyone has a doctor so therefore he is an
important figure in this town. Paranoia is present in the opening sequence as
the patients who wanted to see Miles when he was away were referred to another
doctor, but none of them would go. The people of Santa Mira only trust Miles,
which again shows how iconic this character is. This also represents the
paranoia felt in American society, they were very fearful and were careful of
who they spoke to and trusted. There are indications that people have
complaints but don’t raise them and in fact stay silent, this is because they
may be seen as ‘other’ and therefore a threat to status quo. So instead these
people conform to society. Much like 1950’s America people did not want to stand
out from the crowd and draw attention to them. Its was said that in the 1950s
if a man or woman was not married with children by the age of 30 they were
looked upon as a homosexual, therefore they would not fit into the status quo
and were seen as ‘others’. People were
afraid to stand up for who they were and what they believed in because they
feared being an outsider and pushed out of society so instead they would choose
t conform to society in order to fit in. This theme is show in the opening
sequence of invasion of the body snatchers.
Jimmy Gramauldi is also positions as ‘other’ in this opening
sequence. He is taken the doctors for no physical reason but he believes that
his mother is not his mother; Jimmy is referred to as ‘deluded’. Jimmy represents
how ‘others’ were treated in the 1950s as he is given medication, which the
doctor, who is an authorities figure, believes, will cure him. This expresses
the attitude of authority figures in the 1950’s, the government propaganda showed
public videos saying that people like communists and homosexuals were ‘sick’
people who had psychological conditions, that they believed could be cured with
medication. Uncle Iras nice was positioned in a similar way at the start of
this film, she is seen as ‘mad’ she is seen as ‘other’ who the doctor also
believes can be cured by a psych doctor.
The pod people in this film represent conformity. Uncle Iras
niece refers to these people as emotionless, this represents the segregation in
America. Black people and white people were segregated. White people protested
to stop race mixing, which shows their emotionlessness. Pod people and ‘others’
represent this massive segregation.
In addition it is established in the opening scene that one
of the first people to conform and become a pod person was a police officer.
This is established when we see Miles talking to the police officer as he
obviously knows him well, the police officer is cold and emotionless. This
signifies America in the 40’s and 50’s as authority figures where the first to
conform as people were more easily persuaded by authority figures. Test show
that 60% of people will follow instructions if an authority figure tells them
to, this suggests that it is easier to get people to conform if authority are
conformed first.
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