In recent years, Hollywood films have seen a shift from star
driven films into franchise driven films that sell based on familiar
characters, worlds and stories rather than familiar actors. This has led to a
decline in film stars, as audiences are simply not interested in seeing
different characters played by the same characters. Franchises sell the film
through multiple revenue streams the worlds; characters and story of the film
are accessible through mediums outside of the film itself. For example, an
audience member could watch a film and then play a video game in which they
interact with the same character or they may read a novel and learn more about
this character. This means that audiences are more interested in characters
than the actors who play the character. This is apparent even in recent TV
shows such as Doctor Who and Sherlock. Different actors play the same character
in the same story and people don’t need to learn a new character each time they
go to see a film. Franchises can also offer something to producers that film
stars cannot – global appeal. An example of this is Tom Cruise, in American
Cinema he is seen as an icon of patriotism and symbolises American values.
While this may be suitable for American audiences, the same may not translate
into Asian audiences who are not versed in Cruise’s filmography. However, a
character like Captain America or the Hulk can have global appeal because their
appeal lies within their character rather than the star that plays them. This
has led to producers creating franchises in the hopes of achieving global
appeal, shown by the fact that ‘Rogue One: A Star Wars Story’ has cast Donnie
Yen in the film, a famous Asian star.
It is apparent that films can be sold based purely on their
inclusion in a franchise, out of the top ten most successful films of 2015;
only two were not part of a franchise. This shows that audiences are not as
interested in stars now; franchises have placed more importance on familiar
character rather than familiar characters. Another example is the fact that
both modern renditions of Spider Man have been played by different actors, yet
both were very successful. This shows how the audience values characters over
stars.
Franchises can now offer the same things that stars once
offered audiences. Stars in the 60s through to the late 90s offered and
symbolised ideological values. For example, Arnold Schwarzenegger (Arnie) was a
huge star in the 80s and 90s. Arnie represented American Patriotism and
America’s governmental values. In the 1985 film Commando, Arnie fights against
South American villains in order to ‘save the day’. This reflects the real life
context as the American government at the time viewed the South American government
as a threat and as something that could overpower America; this was thusly
reflected in the film where South Americans were portrayed as villains and
evil. Arnie represented these beliefs, however in the modern day we don’t use
stars to represent these beliefs and ideologies. Instead, franchises offer
audience these symbolic beliefs. For instance, Captain America is a very
obvious symbol of American beliefs and ideologies – this is represented by his
costume and name, things that can offer universal appeal.
Another reason for the decline of importance in stars for
audiences is the advent of more advanced technologies. During the time in which
stars were important for a films success, audiences didn’t have access to
televisions or home entertainment systems that were available in cinemas. This
meant that the best way to experience a film was by going to the cinema to see
the film, however now audiences can view films at home with extremely
comparable quality to that of the cinema. This meant that when audiences were
going to the cinema and were tasked with choosing a film to watch, they would
often watch those with stars that they are familiar with and usually not a
franchise or sequel choice. This is mostly because audiences could not continue
the world of the story outside of the cinema through mediums such as video
games and books, and therefore were less interested in going to see a franchise
film.
Social media is something that has brought audience members
much closer to film stars. It is even possible to directly communicate with
stars. This takes away from the mystique and glamour that celebrities once
held. Now, they appear much more like normal people and thus audiences are
simply less interested in seeing them perform as a result. The advent of the
Internet also makes stars lives more transparent, the audience can now see
through the construct of a star. One example of this is Tom Cruise - due to
films such as Top Gun and Mission Impossible as well as his own persona in
public, Tom Cruise symbolises patriotism and American values. However, the
Internet has now opened up his private life and has exposed his secret
involvement in the church of Scientology as well as the act of him forcing his
wife to go through labour in silence. This means that audiences no longer view
Tom Cruise as an American hero and patriot, but rather as a deranged and
abusive figure.
Social media also pushes the popularity of franchises in
that fans of a film can group together and form fan bases through the Internet.
People can now discuss their favourite characters and franchises via this
medium and as a result, a new instalment in a franchise may feel like a social event,
as many people will share their excitement about it. This makes franchises more
relevant as it comes from a sense of community regarding the franchise and
builds franchise loyalty which negates star power.
As video games have become more popular, they have grown to
value character over stars. One example of this is in the video game series
‘Half-Life’. In this video game, the character plays as a silent protagonist in
a literal first person protagonist. We can’t see the face of the character and
we can’t hear his voice, this is very typical of games. This places importance
on the characters motivations, feelings and goals rather than the star that is
playing the character. This means that audiences are more interested in
character because of this very reason; especially with characters they are
familiar with and has thus reduced the importance of stars. Video games also
offer another appeal to audiences over the cinema – value. Whilst a game may be
more expensive than a cinema ticket on the surface, a video game can last far
longer than the runtime of even much longer films as games have a virtually
unlimited playtime. This means that audiences would be less likely to go to the
cinema when they can stay at home and get more value for their money.
However, stars are still important for some sections of the
audience. Members of the audience that grew up during the prime time of stars
are more likely to be sold on a film based on its star appeal. One example of
this is ‘The Expendables’ franchise; the film is sold wholly on its star
appeal; including stars such as Jet Li, Arnie, Jason Statham and Sylvester
Stallone. Star appeal is still important to both audiences and producers
regarding the older audience. However, it is not as relevant to a younger
generation that grew up surrounded by franchises and declining relevance of
stars.
Stars can still be relevant to audience members with certain
actors. One example of this is the 2016 film ‘The Revenant’. The film was the first film to knock ‘Star
Wars VII: The Force Awakens’ off of the top of the box office and interestingly,
it is not a franchise – it is star driven. The film was sold on the star power
of Leonardo DiCaprio and Tom Hardy, both of whom are extremely popular actors
The film also gained appeal from having a star director, Alejandro Innaritu
directed the critically acclaimed and financially successful film ‘Birdman’.
This shows how stars can still be relevant to both producers and audiences in
an age seemingly dominated by franchises. One possible criticism of this
argument is that The Revenant’s success is a result of the films release date.
January is typically a time where franchise films lay dormant, waiting for the
summer in order to sell more tickets to younger audiences who will be on a
break from education. It could well be that if another franchise film such as
‘The Avengers’ was released at the same time as ‘The Revenant’ that it would
not do as well as it did. Another possible reason for the films success outside
of its star power could be the twelve Academy Awards Nominations it has
received, especially during December /January which is typically considered to
be ‘Oscar Season’.
Film stars are also relevant in the fact that they are often
needed in order to launch a franchise. ‘Maleficent’ is a film that has become a
franchise due to its success. However, it may not have been a franchise if it
were not for the casting of Angelina Jolie in the film. Angelina Jolie
represents strong women, famously standing up to public hate regarding her
double mastectomy. The producers of Maleficent knew this and thusly cast her as
a strong, powerful female character in the film. This shows how stars are not
completely irrelevant as they are often needed in order to launch a franchise
and make it familiar with audiences in order to bring the franchise back.
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