In the two films, War of the Worlds (2005) and Invasion
of the Body Snatchers (1956), key themes are prominent throughout the film
that show a true representation of life in the period they were made. Both
films are apart of the Science Fiction genre, both exploring the scenarios of
extra terrestrial life forms inhabiting earth and how the human would react to
this.
The Sci-Fi genre allows directors and
screenwriters to present audiences with alarming ‘what-if’ scenarios that
subsequently mirror the happenings at the period in time. Invasion of the Body Snatchers was made in 1956, a time when the
fear and threat of Communism, war and assimilation were at its peak, and
politicians where using these fears to their advantage, the most famous case
being John McCarthy who took it upon himself to add to the paranoia of American
citizens and purged anyone who he suspected of being connected to communism or
against him and his ideologies. With the new threat of ‘McCarthyism’ looming
over the directors, actors, screenwriters and producers in Hollywood, it became
harder to voice opinions and show true feelings on the happenings going on around
them, so any representation of it would have to be incredibly subtle, hence why
the Sci-Fi Genre is very useful. This same tactic is used in the 2005 version
of War of the Worlds in which once
again, alien life forms attempt to take over earth. This movie was made shortly
after the events of 9/11 and is able to show some of the feelings and emotions
that were still riding high, even years after the attack, but the Science
Fiction element of it helps to exaggerate the events but still have it bring those
same emotions back.
The representation in both films is very
prominent in the sense that the protagonist is usually always a white,
all-American, straight male who appears to take down the gigantic threat almost
single handedly whist other characters, mainly females watch on in awe if they’re
still around to see it. In War of the
Worlds, Ray, our male lead, is first shown to us working on a construction
crane in New York City, a very masculine job meaning he is already being seen
by the audience as a hard working guy, adding likeability. We then find out
that his kids are coming to stay with him, which makes us doubt him; why don’t
they live with him? But soon enough we discover that he is divorced from his
wife, who immediately is presented as bossy, controlling and stubborn and her
main conversation point is about how clean the house is, a insignificant detail
in the grand scheme of things. His wife is then not seen again until the end of
the film when she is showing extreme gratitude to Ray for saving the day. The
other main female in this movie is Ray’s daughter Rachel who is 10 and suffers
from extreme panic attacks. Not a very strong female lead, especially
considering the directors could have made a conscious decision to make her
older and more active in helping out, when instead, the Rachel we get is just a
young, scared and confused girl who constantly has to be babied.
Invasion
of the Body Snatchers presents us with an even
worse female character, Becky
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