During the 'home invasion' scene, how is the spectator implicit in the attack?

During the 'home invasion' scene of Kubrick's 'A Clockwork Orange', the spectator is implicit throughout the attack as shown in different ways. Kubrick firstly reveals the writer's wife, who remains nameless reinforcing her lack of importance, in tight, bright clothing making her appear attractive and something to be gazed upon before her decision to not open the door is overpowered by her husband's. There are mirrors against the walls as she's talking to Alex at the door so the spectator is encouraged to gaze at her from different angles and as we have already aligned with Alex due to the previous scenes, we have adopted his frame of mind and go along with Kubrick's vision. As they break into the house, the scene turns to one of a sexual nature and there are close ups of the more sexual parts of the women's body who is being used as an object by the Droogs as they throw her around and she is given no choice in their actions. We are denied the point of view of the female and therefore find it difficult to empathise with her and the situation. 

Every action that happens to the female is controlled by a male and Alex takes his time to cut through her outfit, first revealing her breasts and then her legs, stomach and finally full body. As spectators, we are encouraged to go along with this and it therefore leans to the 'male gaze' theory as part of Mulvey's 'visual pleasure and narrative cinema' theory as it's showing the women on screen are nothing but sexual objects and are there to be used. The close up of the women as she is getting raped by Alex suggests a moment of pleasure and we begin making excuses for Alex's behaviour because we align with him more than the other characters. We are denied the chance to get the feel of being a victim of sexual assault but we can see what it's like committing it so therefore the spectator becomes somewhat involved within the scene because it's as though we're committing the crimes along side Alex. When we are given low angle shots from the husband's point of view, it could be argued that Kubrick is showing the husband as the victim as Alex is using his 'object' to hurt him.