September 11th
2001 was one of the most important days in modern history as the fall
of the World Trade Centre led to the rise of a culture of paranoia
and anger; this of course is reflected in films and is labelled as
“post 9/11 cinema”. Post 9/11 cinema often deals with themes of
great loss and tragedy but also sometimes also reflects the unity
that was experienced in the western world because of 9/11. Examples
of this type of film are: The Hurt Locker, Restrepo and one of the
films I will be discussing here: War of the Worlds.
Another similar threat
to American culture was prominent in the 1950's where the second film
I will be discussing takes place; Invasion of the Body Snatchers.
This threat was of course Communism or more accurately the 'Red
Scare' that followed the rise of Communism. This red scare was the
result of American propaganda against the USSR which led to a society
opposed against the Soviets and their economic model. One of the
leading men in the red scare was US senator Joseph McCarthy who led a
campaign of scaremongering and manipulation to scare society into
giving him and his associates an extraordinary amount of power in
decided what and who were acceptable in American society. This power
was of course greatly abused and was mainly used by McCarthy to
censor anyone who sought to oppose him including but not limited to:
artists, political commentators and those who worked in Hollywood. It
was because of this that director Don Siegel decided to create a film
in response to 'McCarthyism' criticising its followers and warning
others of its dangers, this film was titled 'Invasion of the Body
Snatchers'
Firstly War of the
Worlds reflects the paranoia prevalent in a post 9/11 society in the
scene where Ray is escaping from the alien attack with his family,
upon hearing explosions Ray's daughter asks “Is it the terrorists?”
this is a fantastic representation of post 9/11 cinema as it is a
direct reference to 9/11 and Muslim extremists specifically as
terrorism hadn't truly been experienced on such a large and
destructive scale before or since. This line is also crucial because
Ray's daughter immediately suspects terrorism, this is because after
the attacks paranoia and fear regarding another imminent terrorist
attack was so commonplace in society that it is the first conclusion
someone would come to after a disaster. This scene is also a good
representation of the fear of others that came with the paranoia for
the same reasons outlined above, especially how Ray's daughter does
not suspect a natural disaster or some other explanation different to
terrorism.
The second scene in
which War of the Worlds displays this paranoia is the scene where Ray
and his daughter are hiding in a basement with another man, the man
wants to escape the basement to fight the aliens while Ray disagrees
and believes the smartest decision is to wait until the aliens have
passed. When the man tries to escape Ray decides to murder the him so
that he can protect himself and his daughter. This is a powerful
representation of paranoia as when people are scared they tend to
disregard others to protect themselves, a real life example of this
would the massive support for the invasion of Afghanistan post 9/11;
people were so scared of another attack on that scale that they were
fine with invading another country and damaging the lives of
countless civilians because it meant that they would ultimately be
safer as a result. This is shown through Ray's actions in this scene
as paranoia led him to murder the other man. Once again this scene
can also be used as an example of the fear of others in society post
9/11 as in this scene Ray feared that another persons actions would
lead him to be killed and not simply the aliens themselves.
Invasion of the Body
Snatchers on the other hand shows paranoia in a completely different
way, examples of this would be the various scenes throughout the film
where different people approach Miles with the concern that those
close to them are no longer themselves, this is a representation of
the paranoia felt by those in 1950's America. I know this because at
the time people believed that Communism would worm its way into
American life and change everyone into a Communist; stripping them of
emotions and values. While this did not happen in real life it is
still being represented here as the film shows what would happen at
the beginning stages if such an event were to take place and how
normal Americans would react to these 'changed' people.
Another scene that
shows paranoia in Invasion of the Body Snatchers is the scene where
Miles and Becky stop for fuel at a petrol station. In this scene the
man who runs the petrol station makes idle conversation with Miles
and Becky and seems friendly enough, regardless though Miles at this
point does not trust anyone except Becky as they could be pod people
and out to get him. This is a clear example of Miles being paranoid
even though he was correct. This is example of fear of others which
also plagued society in the 1950's as this scene and many others in
the film show Miles constantly being suspicious of others after he
finds out of the pods existence.
A major theme that runs
through both War of the Worlds and Invasion of the Body Snatchers is
the fear of annihilation, however it takes a different form in both
films: In War of the Worlds it is the fear of extermination and in
Invasion of the Body Snatchers it is the fear of assimilation.
The scene that best
illustrates the fear of extermination in War of the Worlds is where
Ray is talking to the reporters who show him the true scale of the
invasion. In this scene Ray and the audience both get confirmation
that the entire human race is at risk of being completely destroyed.
This scene is most comprised of video recordings of Tripods
destroying major cities, the reason the Spielberg chose to show this
is so that he can properly convey the risk that these invaders pose
to humanity.
This same sentiment is
shown in a later scene where Ray and his family witness the military
attacking the Tripods to no avail, this once again is to show the
scale of the threat humanity is dealing with; the scene accomplishes
that by opening with the military attacking the Tripods but the
Tripods do not even get slightly damaged by this, putting in
perspective the difference between human and Martian military
strength. This scene is a good demonstration of fear of extermination
because like the previous scene it shows to Ray and the audience that
considering the circumstances it is a virtual certainty that the
humans will be destroyed.
In Invasion of the Body Snatchers the fear of
assimilation is perfectly illustrated in the scene where Becky and
Miles are in Miles' office watching the people of Santa Mira
distribute pods so that they can spread pod people to other cities
and towns. The fear of assimilation is shown so well here because the
townsfolk otherwise are acting completely normal, meaning that it is
almost impossible to discern who is and isn't a pod person (or a
McCarthyist) it also is good because it shows to the audience that
the threat is active and if left alone it will simply get worse,
meaning the humans (audience) need to act quickly against these pod
people (McCarthyist's)
Invasion of the Body
Snatchers overarching narrative is a criticism on McCarthyism and
this narrative is shown throughout the film but no where more
prominently than when Miles is trying to escape the pod people after
Becky becomes assimilated. This scene begins with Miles running away
from the pod people to warn the outside world, this scene is crucial
to the film because it directly represents the film’s overarching
narrative. Invasion of the Body Snatchers was spurred on by the rise
of McCarthyism in 1950’s America and the pod people represent
McCarthy’s followers. Following this we can clearly see that when
Miles is warning the audience (as the director was attempting with
IOTBS) that they need to take action against the pod people
(McCarthyist’s). This is made even more apparent when Miles is
facing the camera (and in turn: is facing the audience) and proclaims
“they’re here already, you’re next” meaning that if the
American public does not fight back against McCarthy then it may be
too late and McCarthy will further his grip on American culture.
The scene that best
illustrates the narrative (importance of family) is where Ray and his
family are getting on the boat. This scene is important because Ray
is also concerned with his neighbour, who cannot make it on the boat.
Ray is faced with a choice between helping these people or abandoning
his family where they will be unsafe without him. Ray chooses to
leave the neighbours behind but his son (Robbie) decide to risk
himself to save others; in juxtaposition to Ray’s actions. It is an
important moment for the narrative because it shows that even though
in times of panic and danger family and those closest to you should
have priority, this however does not mean that the lives of others
are worthless, Ray realises this when he sees Robbie.
At the end of War of
the Worlds we see Ray’s family fully reunited and the invaders
defeated. This is quite a happy ending and shows the situation fully
resolved. This is rather different to the ending of Invasion of the
Body Snatchers where even though now people believe Miles the film
still has no true conclusion. The reason for this is firstly that the
2005 adaptation of War of the Worlds was inspired partly by the
September 11th 2001 attacks on the World Trade Centre, as
such during the films production there was a large anti-terrorism
climate in the West (American had entered a war with Iraq and
Afghanistan shortly after). The ending ends in the human (westerners)
victory because Spielberg and most of the west believed and wished
they would win the wars in the Middle East.
Invasion of the Body
Snatchers on the contrary does not have a satisfying conclusion
because the director was using the film to represent the (then)
current climate of McCarthyism which was on going during the film’s
release, as such the film could not have any real conclusion because
there was as yet no conclusion to the real life events it was based
on.
In conclusion: films
are excellent representations of the worries and beliefs of society
at the time of production, with Invasion of the Body Snatchers
showing the dangers of blindly following others will lead to a
collapse in society as we know in and War of the Worlds mainly shows
the importance of unity in the face of adversity .
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