In Get Carter, men are
active and often aggressive participants in the narrative, driving the plot
forward. They are represented as feared and violent, as recognised in the scene
involving Albert Swift and Carter; Swift visibly terrified at the prospect of
being interrogated by Jack outside of the betting shop. They are also
represented as dominant, especially to women, Carter using women to advance his
investigation – never entertaining the idea of a relationship, simply a series
of flings.
To the men in Get Carter,
family and co-workers come first. They are shown committing serious acts of
violence for their bosses and to save themselves from further violence, while
Carter values his brother and niece in his investigation. He is provoked after
seeing his niece Doreen in pornography from Glenda’s apartment, sparked by the
fact that his own family is involved even more so than he first believed. That
they would intervene in his family affairs sets Carter off even more than just
his brother’s death.
Newcastle as a location is
represented as secretive and conspiratorial, protective against Carter as ‘the
outsider’. When Carter enters a building and around the streets of Newcastle,
he is immediately observed by others, provoking a sense of paranoia in the
character; as if his actions are being noticed.
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