In Get Carter women are represented in a typical, passive,
domestic and traditional way even though it was made after the ‘swingin
sixties’ a time when women were not only sexually liberated but also
legislatively liberated due to the Equal Pay Act and the Sex Discrimination
Act. For
example Glenda is simply a catalyst and used as a pawn by men, she provide
information for jack on behalf of another male, Kinnear. And when she is no
loner useful she is discarded. This is illustrated in the gambling scene when
the male character drowns her diegetic voice out, this shows she is completely
ignored and her opinion is invalid. Also
whenever she is in the camera shot a male(s) accompanies her. She is also
fetishized as she is wearing provocative clothing.
Laura
Mulvey published Visual Pleasure And The Narrative Cinema in 1975. She famously
came up with the ‘male gaze’ theory, which says that women are represented frim
a heterosexual male perspective (male gaze) and serve two purposes in he narrative,
as an erotic object for the character in the film and a erotic object for the
viewers.
We see high
validity in Laura Mulveys ‘male gaze’ theory with Anna
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